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Just Passing Through: Kelly Reichardt’s Wendy and Lucy
Kelly Reichardt’s Wendy and Lucy is, on its own terms, perfect. As such, it exposes the silly practice of rating films in numbers of stars, even if this particular blog is merely one movie lover’s journal of personal reactions, and not pretending to be objective criticism. So please interpret these five stars as meaning that…
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Set Phasers to Awesome: J.J. Abrams reboots Star Trek
Like the 1966 Corvette a reckless young James Tiberius Kirk commandeers in an early sequence, the new Star Trek is precision-crafted for speed, sex appeal, and total awesomeness. Kirk launches that beautiful machine off a cliff, but thankfully director J.J. Abrams never does the same with the movie. Star Trek (the first in the franchise…
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Frank Miller’s The Spirit is the Insane and Unhinged Product of a Uniquely Obsessed Auteur Mind
At last, finally another entry to our hallowed pantheon of zero-star unholy cinema atrocities. Frank Miller’s The Spirit is far more than just merely bad. Like the most infamous movie disaster of all, Ed Wood’s Plan Nine From Outer Space), it veers wildly from stunning weirdness to unintentional hilarity, interspersed with frequent stretches of insufferable…
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John Erick Dowdle’s Zombie Fauxmentary Quarantine
Quarantine, remade by director John Erick Dowdle (co-written with brother Drew) from the Spanish movie REC (2007), follows in the now-firmly established horror fauxmentary tradition. Previous entries Blair Witch Project, Diary of the Dead, and Cloverfield are all ostensibly comprised of found footage recovered from cameras found at the scenes of horrific disasters. Quarantine‘s only…
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Los Cronocrímenes (Timecrimes) is a Brain-Spraining Chronological Conundrum
A grotesquely costumed, knife-wielding creep on the Timecrimes (Los Cronocrímenes) theatrical poster promises an exploitative slasher pic along the lines of Texas Chainsaw Massacre. To some degree, considering the degradations made upon a breathtakingly beautiful girl alone in the woods, it is. But Nacho Vigalondo’s Spanish science fiction puzzler is a friendlier sibling to Shane…
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Bill Maher preaches to the choir in Larry Charles’ Religulous
Bill Maher, standup comedian and star of Cannibal Women in the Avocado Jungle of Death, remade himself into a satirical political pundit on the cable TV shows Politically Incorrect and Real Time. He most famously spoke truth to power when he defied the conventional wisdom after 9/11 and correctly stated that one thing the perpetrators…
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Mutant Mayhem: Bryan Singer’s X-Men
Bryan Singer’s X-Men surprised me twice, first in a theater in 2000 and then again on a recent rewatch, by being better than it had any right to be. I used to be a comics fan, and read most of Chris Claremont and John Romita Jr.’s lengthy run on The Uncanny X-Men series in the…
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Mogwai live at The Music Hall of Williamsburg, April 2009
The Scottish instrumental rock outfit Mogwai earned their reputation in part for sheer volume, like My Bloody Valentine and The Who before them. Their music is also notable for exploring the kinds of extreme dynamics you usually only hear in electronica or progressive rock, wholly unlike the fatiguing constant loudness of most pop, punk, and…
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Orifices in Place of Faces: The Flaming Lips: Christmas on Mars
The Flaming Lips are an odd band to have achieved mainstream success. After years of noncommercial psychedelic art-rock experimentation like the four-disc Zaireeka (1997), they broke through to mass appeal with The Soft Bulletin (1999) and Yoshimi Battles the Pink Robots (2002). The latter features the finest existential love song to ever become the official…
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A Vampire’s Secret Daily Toil: Låt den rätte komma in (Let the Right One In)
Let the Right One In (Låt den rätte komma in) is unapologetically a vampire story. It follows most of the rules of the genre but avoids the standard trappings of spectacular bloodletting (like, say, Blade) and simplistic sexual metaphors (we’re looking at you, Twilight). Director Tomas Alfredson and screenwriter John Ajvide (adapting his own novel)…
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Sally Hawkins Finds a New Opportunity in Every Setback in Mike Leigh’s Happy-Go-Lucky
Poppy (Sally Hawkins) is a creature rarely encountered in movies and even less often in real life: someone genuinely happy. She’s not bothered by others’ life goals; at 30, she doesn’t have a baby or a boyfriend, own a house, or know how to drive, and none of these concerns are cause for existential angst.…
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Australia is Baz Luhrmann’s Gone With the Wind
Strictly speaking, Baz Luhrmann has made only one musical, the guilty pleasure Moulin Rouge (2001). But, last seen directing Puccini’s opera La bohème on Broadway, he can’t seem to resist the genre. Strictly Ballroom (1992), Romeo + Juliet (1996), and now Australia all incorporate key elements of the musical: exaggerated emoting, spectacle, and especially, songs.…