
Ridley Scott’s police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department suspects him of being a…

Ridley Scott’s Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest family man, recently promoted to…

Ridley Scott’s 1986 fantasy experiment Legend features a very young Tom Cruise (before he was “Tom Cruise”), costarring opposite vats upon vats of glitter. Cruise’s performance is bizarre and high-pitched, composed of crouched poses and unfocused stares. But to be fair, how else would any actor portray an uncivilized wild-child with a weirdly mundane name…

Ridley Scott’s first feature film The Duellists (1977) is based on the Joseph Conrad short story “The Duel.” Feraud (Harvey Keitel) and D’Hubert (Keith Carradine), two French soldiers serving under Napoleon, become loyal enemies locked in a lifelong adversarial relationship. D’Hubert, eager to appease his superiors and advance his career, volunteers for a mission in…

Whether it actually is or not, Synecdoche, New York has the feel of a very, very personal work of art. I know next to nothing about writer/director Charlie Kaufman’s personal life, and don’t even necessarily feel like I do now. Then again, few people do know Kaufman, as he has famously managed to sidestep much…

The 2008 HBO television movie Recount dramatizes the traumatic few weeks at the close of the 2000 Presidential election. That hectic time brings back three distinct feelings for this blogger: bewilderment at the founding fathers’ purpose for the Electoral College (as everyone no doubt remembers, it was never in doubt that Al Gore won the…

I had the same issues with Oliver Stone’s W. that I do with every biopic. As virtually every feature film biography attempts to do the job of a book, they inevitably fall into the same trap: they become highlights reels that merely illustrate key moments in a real-life figure’s life, spanning decades. With a few…

The Happening is the latest in a long line of light entertainments that depict attacks of one sort (terrorist) or another (alien) upon New York City. A mysterious mass hysteria strikes the idyllic Bethesda Terrace (a place I walk through several times a week) in Manhattan’s Central Park, and quickly fans out to the entire…

Has writer/director Frank Darabont been weighed down by the heavy legacy of his first feature film? The Shawshank Redemption remains one of the most popular movies ever made, if not quite (yet?) accepted into the canon. The Mist, after The Green Mile, is Darabont’s third Stephen King adaptation, so far only having made only one…

Although every Coen Brothers film is unmistakably theirs alone (can the Auteur Theory apply to more than one person at once?), Joel and Ethan have a reputation for rarely making the films audiences want or expect from them at any given time. After Fargo, when everybody wanted another snowy midwestern noir, Joel and Ethan gave…

In 1998, when all the world wanted from Joel Coen and Ethan Coen was another Fargo, they got The Big Lebowski instead. The Coen Brothers recently repeated this trick by following up another masterpiece, No Country for Old Men, with the happy-go-lucky Burn After Reading. This blog wonders if this compulsion is by design or…

Martin Brest’s Midnight Run is an appealingly loose comedy built on a solid premise. It’s a classic, almost cliched Hollywood scenario: Jack Walsh (Robert De Niro) is one of the world’s last honest cops, rewarded for his integrity by divorce and demotion to the humiliating (and dangerous) level of bounty hunter. His handler Eddie Moscone…