Tag: 2009

  • Jane Campion Visualizes the Invisible, in Bright Star

    Jane Campion Visualizes the Invisible, in Bright Star

    As an English Major in another life, I’m not uninterested in poetry, or Keats in particular. But movies about poetry are another matter. It’s difficult to imagine a less natural source material for the eminently visual medium of cinema than poetry. You can mute the sound, drain the color, or take off the 3D spectacles,…

  • Sasha Grey Provides The Therapist Experience, in The Girlfriend Experience

    Sasha Grey Provides The Therapist Experience, in The Girlfriend Experience

    Steven Soderbergh’s The Girlfriend Experience is a low-fi, partially improvised production loosely associated with his periodic palate-cleansing experiments including Schizopolis, Full Frontal, K Street, and Bubble. Working with real locations and relatively cheap cameras, this class of thrifty productions allows Soderbergh a rapid turnaround from conception to finished product. In the case of Schizopolis, the…

  • Solitary Confinement: Moon

    Solitary Confinement: Moon

    Moon is a rare science fiction thriller that doesn’t derive its tension solely from the spectacle of spaceships, robots, or offworld locale. Rather, it’s a psychodrama about paranoia, in the Philip K. Dick tradition of Blade Runner, Minority Report, and A Scanner Darkly (not to mention the countless movies Dick indirectly inspired, such as Dark…

  • Drew Barrymore’s Whip It skates around conflict

    Drew Barrymore’s Whip It skates around conflict

    Writer Shauna Cross and director Drew Barrymore’s Whip It is frustratingly averse to dramatic conflict. Rather than finding resolutions, or allowing issues to evolve in interesting ways, it skates around nearly every incident: Bliss’ (Elliot Page) love interest at first appears to have cheated on her, but in fact didn’t, so the worst you can…

  • Pandorum is all premise and no logic

    Pandorum is all premise and no logic

    I rented Christian Alvart’s Pandorum solely on the strength of the premise: two men awake from suspended animation, on a spaceship, in a locked room, not knowing where they are, what their mission is, or if there even is a mission. It’s well cast with Dennis Quaid and the very intense Ben Foster. This is…

  • This’ll Ruin My Day: James Cameron Goes Down the Digital Rabbit Hole in Avatar

    This’ll Ruin My Day: James Cameron Goes Down the Digital Rabbit Hole in Avatar

    Avatar is the perfect distillation of all of James Cameron’s worst tendencies: an obsession with the marine corps (while trying to have it both ways: worshipping the hardware and lingo, but casting them as villains), embarrassingly heinous dialogue (undercutting every dramatic moment with somebody droning flat one-liners like “oh shit” or “this’ll ruin my day”),…

  • Set Phasers to Awesome: J.J. Abrams reboots Star Trek

    Set Phasers to Awesome: J.J. Abrams reboots Star Trek

    Like the 1966 Corvette a reckless young James Tiberius Kirk commandeers in an early sequence, the new Star Trek is precision-crafted for speed, sex appeal, and total awesomeness. Kirk launches that beautiful machine off a cliff, but thankfully director J.J. Abrams never does the same with the movie. Star Trek (the first in the franchise…