Tag: 2022
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Damien Chazelle’s Babylon is not very loving, as love letters go
Like most filmmakers and movie buffs, Babylon director Damien Chazelle would appear to have mixed feelings about Hollywood.
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All Quiet on the Western Front isn’t likely to change many minds about war
Edward Berger’s lavish, gruesome All Quiet on the Western Front is very clear that war is bad, but could do more to condemn today’s warmongers.
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The hot mess Don’t Worry Darling is too much and not enough
Olivia Wilde’s Twilight Zone-esque thriller Don’t Worry Darling briefly dominated the discourse, for all the wrong reasons.
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NYC’s indie bands survive Napster, 9/11, gentrification, and their own demons, in Meet Me in the Bathroom
Weathering turn of the century New York City with The Strokes, TV on the Radio, Yeah Yeah Yeahs, Interpol, and The Moldy Peaches.
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The long-forgotten comic book villain Black Adam makes for a quickly-forgotten movie
Jaume Collet-Serra’s dreadful Black Adam is damning evidence that Hollywood has forgotten why kids like superheroes in the first place.
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Fantastic Beasts: The Secrets of Dumbledore torches the legacy of Harry Potter
I worked at Warner Bros. throughout the original run of Harry Potter movies. In case that sounds exciting, I assure you it wasn’t; it was an extremely minor role in a vast corporation, that involved selling t-shirts, iPhone cases, and battery-powered toy wands online. But it was very easy for us all — a bunch […]