Tag: action
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Sass and Kick Ass: James Bond: Casino Royale
Paradoxically for one of the freshest James Bond films ever made, Martin Campbell’s Casino Royale (2006) is actually the third adaptation of the character’s debut in Ian Fleming’s 1953 novel. After a largely forgotten 1954 TV movie in which “Jimmy” Bond was awkwardly Americanized, the same premise was parodied in a 1967 farce bearing the…
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Lean, Tailored, and Ferociously Fit: Jason Statham in Transporter 3
Transporter 3, produced by Luc Besson and directed by Olivier Megaton, is an international product tailored for the American market. Despite its French locales, German cars, and adorably freckled Ukrainian hottie, the hero and villain are both quite American. The titular Transporter is Frank Martin (Jason Statham), a fighter and driver par excellence who earns…
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Mutant Mayhem: Bryan Singer’s X-Men
Bryan Singer’s X-Men surprised me twice, first in a theater in 2000 and then again on a recent rewatch, by being better than it had any right to be. I used to be a comics fan, and read most of Chris Claremont and John Romita Jr.’s lengthy run on The Uncanny X-Men series in the…
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Competition is Weakening in David Mamet’s Redbelt
Redbelt is writer/director David Mamet‘s ode to jiu-jitsu, of which he himself is reportedly a purple belt. Mike Terry (Chiwetel Ejiofor) is a struggling black belt jiu-jitsu instructor, one of the few remaining practitioners of martial art in its authentic Japanese origins. The professional combat sport association MMA (Mixed Martial Arts) has tainted the martial…
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A Clash of Faiths: Ridley Scott’s Body of Lies
Ridley Scott’s follow up to the gentle comedy of A Good Year and the crime drama American Gangster (partly modeled, I think, on Michael Mann’s epic Heat), returns to the politically-themed yet still action-oriented territory he first visited in Black Hawk Down. The key difference here is that, like Peter Weir’s The Kingdom and Pete…
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Every Day is Exactly the Same for James McAvoy in Wanted
The Nine Inch Nails song “Every Day is Exactly the Same” is so thematically perfect for the early part of Timur Bekmambetov’s Wanted, that it seems to have been composed especially. But Wanted is weighed down by an overly extensive backstory that goes back thousands of years, and an approach to violent spectacle that borders…
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Michael Douglas vs. the yakuza in Ridley Scott’s Black Rain
Ridley Scott’s police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department suspects him of being a…
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Material Witness: Ridley Scott’s Someone to Watch Over Me
Ridley Scott’s Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest family man, recently promoted to…
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John Sturges honors Kurosawa honoring Ford in The Magnificent Seven
John Sturges’ The Magnificent Seven is Hollywood’s answer to Akira Kurosawa’s hugely popular Seven Samurai. It suffers in comparison, especially if, like this blogger, one watches them in quick succession. The remake is quaint, chaste, and dated in ways the fairly frank original isn’t. To put it another way, Seven Samurai is a period piece…
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They don’t make PG movies anymore like Steven Spielberg’s Raiders of the Lost Ark
In order to catch up on the overwhelming backlog of movies I intend to cover here on this blog, this blogger is forced to cover Raiders of the Lost Ark with only a few disconnected observations: The 2008 DVD reissues of the classic Indiana Jones trilogy have terribly designed menus; it looks like everything’s been…