Tag: drama

  • Australia is Baz Luhrmann’s Gone With the Wind

    Australia is Baz Luhrmann’s Gone With the Wind

    Strictly speaking, Baz Luhrmann has made only one musical, the guilty pleasure Moulin Rouge (2001). But, last seen directing Puccini’s opera La bohème on Broadway, he can’t seem to resist the genre. Strictly Ballroom (1992), Romeo + Juliet (1996), and now Australia all incorporate key elements of the musical: exaggerated emoting, spectacle, and especially, songs.…

  • Everyone is Just Visiting in Thomas McCarthy’s The Visitor

    Everyone is Just Visiting in Thomas McCarthy’s The Visitor

    The Visitor is the excellent sophomore effort from Thomas McCarthy, writer/director of The Station Agent (2003). The disgustingly talented McCarthy is also an accomplished actor, most recently appearing as a corporate espionage agent in Tony Gilroy’s Duplicity and as a plagiarizing journalist in The Wire. Walter Vale (Richard Jenkins) is a political science professor at…

  • Desperate to Be Liked: Julian Jarrold’s Brideshead Revisited

    Desperate to Be Liked: Julian Jarrold’s Brideshead Revisited

    Director Julian Jarrold’s lavish period piece Brideshead Revisited trots the globe like a genteel James Bond adventure, visiting London, Venice, and Morocco, but especially the opulent Castle Howard. From the perspective of an ignoramus that hasn’t read Evelyn Waugh’s 1945 novel, this compressed version of what I imagine to be a grander prose narrative doesn’t…

  • Kate Winslett  evokes emotional illiteracy in Stephen Daldry’s The Reader

    Kate Winslett evokes emotional illiteracy in Stephen Daldry’s The Reader

    Director Stephen Daldry (The Hours, Billy Elliot), producers Anthony Minghella and Sydney Pollack, and screenwriter David Hare’s adaptation of Bernhard Schlink’s novel The Reader examines evolving notions of German postwar guilt and culpability. Unfolding across three distinct time periods (1958, 1966, and 1995), The Reader hinges on a significant reveal in its middle that recasts…

  • On the Run from Johnny Law in Wes Anderson’s Bottle Rocket

    On the Run from Johnny Law in Wes Anderson’s Bottle Rocket

    Wes Anderson and co-writer Owen Wilson’s feature debut Bottle Rocket is based on their 1992 short film of the same name. Like Kevin Smith’s Clerks and Quentin Tarantino’s Reservoir Dogs, Bottle Rocket may not have turned the world upside down, but is now viewed as a key filmmaker’s ur text. His signature style is already…

  • There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory

    There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory

    Pride and Glory was one of the last New Line Cinema productions made while still a semi-autonomous company, before being eviscerated by parent company Warner Bros. in 2008. For the morbidly curious, Vanity Fair recently related the sad tale in its latest Hollywood issue. Disclaimer: I worked for New Line Cinema through its end times,…

  • Brad Pitt Lives Life in Reverse in David Fincher’s The Curious Case of Benjamin Button

    Brad Pitt Lives Life in Reverse in David Fincher’s The Curious Case of Benjamin Button

    This blogger is slowly cooling on former favorite David Fincher. His underrated first feature Alien3 is highly compromised, but easily the next most thematically interesting entry in the Alien franchise (after, of course, Ridley Scott’s rich original). Se7en is one of the most gut-wrenchingly disturbing movies ever made, notable for having virtually no violence appear…

  • Demi Moore goes chrome dome in Ridley Scott’s G.I. Jane

    Demi Moore goes chrome dome in Ridley Scott’s G.I. Jane

    Ridley Scott has made his share of testosterone-laden Hollywood flicks, ranging from his very first feature The Duellists, through Black Rain, and finally blowing the top off the scale with Gladiator. But unlike many of his contemporaries (Michael Mann and Michael Bay come to mind), a surprising number of feminist-themed films with strong female characters…

  • Jeff Bridges battles the elements in Ridley Scott’s White Squall

    Jeff Bridges battles the elements in Ridley Scott’s White Squall

    By 1996, Ridley Scott had worked in almost every typical feature film genre: most notably historical drama (The Duellists, 1492), science fiction (Alien, Blade Runner), and police thrillers (Someone to Watch Over Me, Black Rain). But White Squall straddles several genres, sometimes all at once: coming-of-age melodrama, adventure, courtroom drama, and disaster on the high…

  • Material Witness: Ridley Scott’s Someone to Watch Over Me

    Material Witness: Ridley Scott’s Someone to Watch Over Me

    Ridley Scott’s Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest family man, recently promoted to…