Tag: Florence Pugh

  • The hot mess Don’t Worry Darling is too much and not enough

    The hot mess Don’t Worry Darling is too much and not enough

    Rating: 2 out of 5.

    It would have been more fun to watch this hot mess earlier, during the miniature cultural moment that briefly dominated social media discourse. It seems that the juicy, gossipy disasters must have occurred mostly behind the camera, for the actual film itself isn’t a total fiasco. I’ve unfortunately seen the not-dissimilar Serenity (2019), and I’m here to tell you that Don’t Worry Darling is a five-star, 100% fresh tomato, two-thumbs-way-up masterpiece in comparison.

    For audiences conditioned by Black Mirror, the only real suspense is waiting to see if the inevitable twist will be more Westworld– or Matrix-flavored. In other words: is our hero Flo trapped in a Stepford robot body or an Oculus Rift prison?

    But take a step back and consider the core premise: does anybody think that if toxic incel/misogynist/extremely-online/gamergate types were to have the opportunity to construct a virtual fantasy world, that it would amount to mere Leave it to Beaver cosplay? (but TBH, featuring a Dita Von Teese NPC is understandable; I’m only human)

    In its final moments, Olivia Wilde’s film does make a fitful attempt at adding complexity: we learn at least one woman has consciously elected to live in this man’s world. It’s too much, too late, and yet not enough.

  • Liam Neeson has a rough ride in The Commuter

    Liam Neeson has a rough ride in The Commuter

    Jaume Collet-Serra’s The Commuter is the best comedy of 2018. I’m still laughing about the running joke of the Metro North running up the 4/5/6 line in Manhattan. If you find yourself on the Metro North Hudson Line, Make a quick stop in Beacon for a burger at Meyer’s Old Dutch Food & Such; honestly one of the best I’ve ever had.

    Speaking of New York City verisimilitude, most Columbia students dress like J. Crew or Banana Republic catalogs. Gwen (Florence Pugh) clearly goes to NYU, and Mike (Liam Neeson) should have been instantly suspicious.

    Between this and Source Code, has Vera Farmiga been typecast as Manipulative Conspiracy Lady on a Train?

    I play a little guitar, and it might take me a moment to realize I’m looking at a left-handed guitar (it would be like looking in a mirror). Wouldn’t it have made more narrative sense for Mike to realize its purported owner is left-handed, but has a “normal” guitar? Nah, because plenty of lefties play right-handed, not the least being Jimi Hendrix. Never mind, it’s not worth worrying about this plot point, because it’s all worth it for setting up a pretty great fight scene.

    The Commuter is kinda dumb, but directed, shot, and edited with real visual flair. Exactly what I needed on a Friday night. The fragmented, time-hopping opening sequence deserves extra credit for overachieving within the genre.