Tag: Greg Kinnear

  • Ghost Town is The Sixth Sense as a romantic comedy

    Ghost Town is The Sixth Sense as a romantic comedy

    David Koepp’s Ghost Town pulls at the heartstrings without being too nauseating. With a tagline that implies The Sixth Sense as a romantic comedy, its tone and subject matter are roughly comparable to As Good As It Gets: the thawing of a misanthrope with some good qualities. It mostly earns it, but the last 2-3 lines of dialog don’t feel natural — the sort of thing a screenwriter might jot down first, and then later write an entire screenplay around. It’s a real bittersweet irony for Bertram’s (Ricky Gervais) first real friend (Greg Kinnear) to literally disappear.

    Poor Téa Leoni is once again saddled with an age-inappropriate love interest, as she was with Ben Kingsley in You Kill Me. I can’t picture Gwen and Bertram as lovers, but I can see them as forging a real friendship, amidst their unique situation. Their characters are well-drawn enough that I can buy his ironic wit appealing to her while her supposedly perfect fiancé may be a good human being but is utterly humorless.

  • Pierce Brosnin lets it rip in Richard Shepard’s The Matador

    Pierce Brosnin lets it rip in Richard Shepard’s The Matador

    Full of suspenseful set-pieces involving assassination, The Matador is a genre film on the surface. It’s actually more of a character piece about one man about to pay the price for a lifetime of being a pathological loner (paradoxically, while indulging his lusts in every other way imaginable), and another grasping at his last chance to save both his professional and family lives.

    Pierce Brosnin lets it rip as Julian Noble, a sleezebag assassin with a Magnum P.I. mustache. Interestingly, he frequently boasts of his bisexuality, but we only see him having sex onscreen with women. The is-he-or-isn’t-he ambiguity actually comes into play regarding an imporant plot point resolved near the very end of the film. Even better, the plot informs character, which is something of a rarity.

    Hope Davis‘ character defies cliche by enjoying a genuinely sexual relationship with her husband, but is also more openly seduced (in a platonic manner) by the exotic allure of an assassin. Perhaps Julian has lost any James Bond-like sexual allure he may have had, but discovers he can make people like him by simply revealing what he does for a living.

    Disappointingly, the movie ends rather cheesily, with Julian finding some humanity deep inside his depravity.