{"id":1335,"date":"2008-11-26T00:15:58","date_gmt":"2008-11-26T05:15:58","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=1335"},"modified":"2022-09-18T17:13:50","modified_gmt":"2022-09-18T21:13:50","slug":"ridley-scott-black-rain","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/ridley-scott-black-rain\/","title":{"rendered":"Michael Douglas vs. the yakuza in Ridley Scott&#8217;s Black Rain"},"content":{"rendered":"\n<p>Ridley Scott&#8217;s police thriller <em>Black Rain<\/em> (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department suspects him of being a bent copper (spoiler alert: rightly, it turns out!), and pressures him to name names. By sheer accident, he and rookie partner Charlie (Andy Garcia) witness a Yakuza assassination in a Meatpacking District bar. After a thrilling chase through some vintage Manhattan locations since replaced by nightclubs, luxury condos, and The Apple Store, they manage to apprehend the perpetrator. The Yakuza assassin Sato (Yasaku Matsuda), being Asian in a Hollywood movie, is of course a martial arts expert. Contrived plot machinations result in Nick and Charlie escorting Sato back to Japan, whereupon they immediately and embarrassingly lose him. By this point, the plot has been constructed in such a way as to raise Nick&#8217;s stakes to the highest level possible: the only two things that matter to him, his honor and job security, depend on one task: catching or killing the bad guy. If he returns to the States empty-handed, he&#8217;s almost certainly to be disgraced.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-3964\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas.jpg\" alt=\"Andy Garcia and Michael Douglas in Black Rain\" class=\"wp-image-5910\" srcset=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas.jpg 1280w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas-300x169.jpg 300w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas-1024x576.jpg 1024w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas-768x432.jpg 768w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-garcia-douglas-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption>Andy Garcia refuses to pass the edamame<\/figcaption><\/figure>\n\n\n\n<p>In his Tokyo downtime, Nick entertains an unconsummated romance with gaijin Joyce (Kate Capshaw). The subplot is a boring distraction. Joyce is a mere love interest in the worst storytelling sense: her character is not integrated into the main thriller plot as is the female lead in Scott&#8217;s <a href=\"https:\/\/chadossman.com\/blog\/ridley-scott-someone-to-watch-over-me\/\"><em>Someone to Watch Over Me<\/em><\/a>. It strikes this blogger as something of a copout on the part of Scott and screenwriters Craig Bolotin and Warren Lewis that their protagonist Nick goes all the way to Japan but doesn&#8217;t do as the Japanese men do (which is to say, Japanese women).<\/p>\n\n\n\n<p>Nick and Charlie partner with upright Japanese cop Masahiro (Ken Takakura). Cultures clash, and the suave Charlie teaches the uptight Masahiro to party hearty, beating the Japanese at their own game (that being karaoke). When Nick&#8217;s moral ambiguity becomes known, the righteous Masahiro seems to convince Nick that theft of any sort is shameful. But in the end, it is Nick that teaches Masahiro that it&#8217;s OK to steal from criminals (in the moral universe of this film, at least). I&#8217;d never say that any work of fiction has an obligation to present morally-correct behavior (the kind of censorship that Hollywood theoretically left behind with the demise of the Production Code). But <em>Black Rain<\/em> seems to present Nick&#8217;s amoral behavior as The Right Thing, instead of the complicated actions of an interesting complex character.<\/p>\n\n\n\n<figure class=\"wp-block-image alignnone size-full wp-image-3965\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"720\" src=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas.jpg\" alt=\"Michael Douglas in Black Rain\" class=\"wp-image-5911\" srcset=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas.jpg 1280w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas-300x169.jpg 300w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas-1024x576.jpg 1024w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas-768x432.jpg 768w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-douglas-1200x675.jpg 1200w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><figcaption>A moodily backlit Michael Douglas contemplates a new hairdo<\/figcaption><\/figure>\n\n\n\n<p>Scott stages a huge shootout sequence at a refinery, seemingly chosen for maximum visual appeal (picture the clouds of steam, showers of sparks, bursts of flame, etc.). In a kind of self-referencial closed circuit, Scott&#8217;s aerial shots of Japan look just like <em>Blade Runner<\/em>&#8216;s futuristic dystopian Los Angeles, which was itself inspired by Tokyo. Another direct lift from <em>Blade Runner<\/em>: Nick discovers sequins from Joyce&#8217;s dress at a crime scene, recalling the sequence in <em>Blade Runner<\/em> in which Deckard tracks down the origin of synthetic snake scales &#8212; belonging, of course, to one of cinema&#8217;s most famous femmes fatale.<\/p>\n\n\n\n<p>The opening credits state &#8220;In association with Michael Douglas.&#8221; Douglas is of course a successful producer (for instance, <em>One Flew Over the Cuckoo Nest<\/em>), but <em>Black Rain<\/em> has the feel of an ego trip. More trivia: the director of photography Jan de Bont was later to direct <em>Speed<\/em>.<\/p>\n\n\n\n<p>One final cheap shot before I go. I don&#8217;t know what has dated more: the cheesy music or Michael Douglas&#8217; big hair.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ridley Scott&#8217;s police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department suspects him of being a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4717,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[22,2],"tags":[1475,35,48,49,1476,47,457,36,44],"class_list":["post-1335","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-stars","category-movies","tag-1475","tag-action","tag-andy-garcia","tag-japan","tag-kate-capshaw","tag-michael-douglas","tag-new-york-city","tag-ridley-scott","tag-thriller"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-lx","jetpack-related-posts":[{"id":1330,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-someone-to-watch-over-me\/","url_meta":{"origin":1335,"position":0},"title":"Material Witness: Ridley Scott&#8217;s Someone to Watch Over Me","author":"Chad Ossman","date":"November 20, 2008","format":false,"excerpt":"Ridley Scott's Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1368,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-body-of-lies\/","url_meta":{"origin":1335,"position":1},"title":"A Clash of Faiths: Ridley Scott&#8217;s Body of Lies","author":"Chad Ossman","date":"January 6, 2009","format":false,"excerpt":"Ridley Scott's follow up to the gentle comedy of A Good Year and the crime drama American Gangster (partly modeled, I think, on Michael Mann's epic Heat), returns to the politically-themed yet still action-oriented territory he first visited in Black Hawk Down. The key difference here is that, like Peter\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/body-of-lies-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/body-of-lies-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/body-of-lies-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/body-of-lies-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/body-of-lies-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1348,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-gi-jane\/","url_meta":{"origin":1335,"position":2},"title":"Demi Moore goes chrome dome in Ridley Scott&#8217;s G.I. Jane","author":"Chad Ossman","date":"January 3, 2009","format":false,"excerpt":"Ridley Scott has made his share of testosterone-laden Hollywood flicks, ranging from his very first feature The Duellists, through Black Rain, and finally blowing the top off the scale with Gladiator. But unlike many of his contemporaries (Michael Mann and Michael Bay come to mind), a surprising number of feminist-themed\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"G.I. Jane","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/g-i-jane-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/g-i-jane-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/g-i-jane-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/g-i-jane-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/g-i-jane-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":5763,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-and-cormac-mccarthy-make-an-odd-couple-in-the-counselor\/","url_meta":{"origin":1335,"position":3},"title":"Ridley Scott and Cormac McCarthy make an odd couple in The Counselor","author":"Chad Ossman","date":"October 25, 2013","format":false,"excerpt":"Cormac McCarthy and Ridley Scott were bound to be an odd couple in any case. All the richly composed and poetic dialogue in the world doesn't disguise the fact The Counselor is basically a grimy, scuzzy, sleazy, feel-bad potboiler. There is an element of pulp to several of McCarthy's novels,\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"Cameron Diaz, Brad Pitt, Penelope Cruz in The Counselor","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2022\/09\/counselor.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2022\/09\/counselor.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2022\/09\/counselor.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2022\/09\/counselor.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2022\/09\/counselor.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1342,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-white-squall\/","url_meta":{"origin":1335,"position":4},"title":"Jeff Bridges battles the elements in Ridley Scott&#8217;s White Squall","author":"Chad Ossman","date":"November 27, 2008","format":false,"excerpt":"By 1996, Ridley Scott had worked in almost every typical feature film genre: most notably historical drama (The Duellists, 1492), science fiction (Alien, Blade Runner), and police thrillers (Someone to Watch Over Me, Black Rain). But White Squall straddles several genres, sometimes all at once: coming-of-age melodrama, adventure, courtroom drama,\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"White Squall","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/white-squall-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/white-squall-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/white-squall-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/white-squall-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/white-squall-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1325,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-legend\/","url_meta":{"origin":1335,"position":5},"title":"Girls and Their Unicorns: Ridley Scott&#8217;s Legend","author":"Chad Ossman","date":"November 16, 2008","format":false,"excerpt":"Ridley Scott's 1986 fantasy experiment Legend features a very young Tom Cruise (before he was \"Tom Cruise\"), costarring opposite vats upon vats of glitter. Cruise's performance is bizarre and high-pitched, composed of crouched poses and unfocused stares. But to be fair, how else would any actor portray an uncivilized wild-child\u2026","rel":"","context":"In &quot;1 Star&quot;","block_context":{"text":"1 Star","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/1-star\/"},"img":{"alt_text":"Ridley Scott's Legend","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/legend-ridley-scott-unicorn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/legend-ridley-scott-unicorn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/legend-ridley-scott-unicorn.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/legend-ridley-scott-unicorn.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/legend-ridley-scott-unicorn.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=1335"}],"version-history":[{"count":2,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1335\/revisions"}],"predecessor-version":[{"id":5912,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1335\/revisions\/5912"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/4717"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=1335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=1335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=1335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}