{"id":1434,"date":"2009-01-22T22:59:49","date_gmt":"2009-01-23T03:59:49","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=1434"},"modified":"2022-10-18T14:16:09","modified_gmt":"2022-10-18T18:16:09","slug":"daniel-lanois-here-is-what-is","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/daniel-lanois-here-is-what-is\/","title":{"rendered":"Daniel Lanois Maximizes the Room in Here Is What Is"},"content":{"rendered":"\n

Daniel Lanois is a unique musician, as gifted a singer-songwriter in his own right as he is a collaborator and producer. I originally came to recognize his name after finding it listed in the credits of many key items in my music collection, including Peter Gabriel’s So<\/em> and Us<\/em>, U2’s The Joshua Tree<\/em> and Achtung Baby<\/em>, and Bob Dylan’s Oh Mercy<\/em> and Time Out of Mind<\/em>. His 1993 solo album For the Beauty of Wynona<\/em> remains an all-time personal favorite.<\/p>\n\n\n\n

The feature documentary Here Is What Is<\/em> premiered at the Toronto Film Festival in 2007, directed by Lanois, Adam Samuels, and Adam Vollick. It captures the recording of the album of the same name, but also serves as a kind of retrospective and mission statement. Conversations between Lanois and early mentor (now equal) Brian Eno punctuate the film. Lanois states to Eno his intentions for the movie: to create a film about the beauty of music, not everything that surrounds it (which I took to mean hagiography, celebrity gossip, and the sometimes tedious behind-the-sceens documentation typical of the genre). Eno suggests that his film should try to show people that art often grows out of nothing, or from the simplest of seeds in the right situations, not from what outsiders might assume are the miraculous inspirations of allegedly brilliant or gifted artistes.<\/p>\n\n\n\n

\"Daniel
Daniel Lanois and Brian Eno recording their new ambient masterwork, “Music for Staircases”<\/figcaption><\/figure>\n\n\n\n

Lanois is Canadian by birth, but has a special affinity for the American South, especially New Orleans. He credits New Orleans for the original sensual groove that formed the basis of rock music. Perhaps intended as a visual echo of this theory, the stunningly beautiful Carolina Cerisola<\/a> often appears dancing in her scanties.<\/p>\n\n\n\n

Lanois details his longtime, fruitful collaboration with drummer Brian Blade. Legendary keyboardist of The Band, Garth Hudson, also joins them in the studio for some truly awesome performances. One of my favorite sequences intercuts between “The Maker” performed by Lanois’ band live in studio, covered by Willie Nelson and Emmylou Harris, and Lanois’ band live on stage. Billy Bob Thornton, still friends from collaborating on the score to Sling Blade<\/em> in 1996, drops in for a visit. We catch exciting glimpses of recording U2’s forthcoming album (since christened No Line on the Horizon<\/em>, to be released in February 2009) with Eno and Steve Lillywhite.<\/p>\n\n\n\n

\"Daniel
Which button dials down Bono’s ego?<\/figcaption><\/figure>\n\n\n\n

Lanois names a primarily influence to be the Jimi Hendrix Experience, which he describes as a fairly straightforward rock trio but with ambitious, experimental production. He describes how he himself approaches production, in just one word: “feel.” He reportedly had a contentious relationship with Dylan in the studio, but the resultant albums are classics, and Dylan affirmed that “you can’t buy ‘feel.'” Another Lanois aphorism, “maximize the room,” means to make the most of what you have, rather than invite guest musicians or order up more equipment.<\/p>\n\n\n\n

Here Is What Is<\/em> features full performances of songs, which is especially welcome compared to two recent music documentaries recently screened by this blog: Low in Europe<\/em><\/a> and You May Need a Murderer<\/em><\/a>, which both shy away from actually showing Low perform. Here Is What Is<\/em>‘s visuals are sometimes compromised with cheesy video effects. The film is at its best when simply following the hypnotic movements of Lanois’ hands on his pedal steel guitar.<\/p>\n","protected":false},"excerpt":{"rendered":"

Daniel Lanois is a unique musician, as gifted a singer-songwriter in his own right as he is a collaborator and producer. I originally came to recognize his name after finding it listed in the credits of many key items in my music collection, including Peter Gabriel’s So and Us, U2’s The Joshua Tree and Achtung […]<\/p>\n","protected":false},"author":1,"featured_media":4695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15,2,13],"tags":[1324,2078,109,1745,108,27,2079,98,110],"class_list":["post-1434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3-stars","category-movies","category-music","tag-billy-bob-thornton","tag-brian-blade","tag-brian-eno","tag-carolina-cerisola","tag-daniel-lanois","tag-documentary","tag-garth-hudson","tag-rock","tag-u2"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/daniel-lanois-here-is-what-is-feature.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-n8","jetpack-related-posts":[{"id":513,"url":"https:\/\/chadossman.com\/blog\/u2-zoo-tv-live-from-syndey\/","url_meta":{"origin":1434,"position":0},"title":"Everything You Know is Wrong: U2: Zoo TV Live From Syndey","author":"Chad Ossman","date":"November 30, 2006","format":false,"excerpt":"If I could build a time machine to take me to see any band in history, it would be a trip to the early 90s to catch U2 at any point along their legendary Zoo TV tour. 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