{"id":1807,"date":"2009-06-16T23:02:40","date_gmt":"2009-06-17T03:02:40","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=1807"},"modified":"2022-10-21T23:03:10","modified_gmt":"2022-10-22T03:03:10","slug":"international","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/international\/","title":{"rendered":"Circumnavigating The Guggenheim in Tom Twyker’s The International"},"content":{"rendered":"\n

The International<\/em> may seem a little conventional coming from Tom Tykwer, director of the kinetic classic Run Lola Run<\/em>, the mystical The Princess & The Warrior<\/em>, and the lunatic, perverse Perfume<\/em>. The International<\/em> is by far his most conventional in subject matter, and lacking his energy and spirit. It especially suffers in comparison to its closest contemporary rivals in the globe-trotting action\/suspense field, Jason Bourne and James Bond.<\/p>\n\n\n\n

Eric Singer’s original screenplay unravels the sort of paranoid conspiracy theory that only exists in fiction, but in fact is based on an actual scandal involving the Bank of Credit and Commerce International (BCCI), which collapsed in 1991. But the fictionalized story makes use of ridiculous contrivances that reduce a massive international investigation down to a two-handed operation involving disgraced Interpol agent Louis Salinger (Clive Owen) and Manhattan District Attorney (and MILF) Eleanor Whitman (Naomi Watts).<\/p>\n\n\n\n

\"Clive
For the love of God, will somebody please tell me where Tykwer hid the camera?!<\/figcaption><\/figure>\n\n\n\n

Speaking of, The International<\/em> is a true waste of Watts’ talent (watch Mulholland Drive<\/em> and Funny Games<\/a><\/em> for a primer). A potentially shocking moment comes when her character is hit by a car. Not to sound bloodthirsty, but it might have been very interesting for her character to make an untimely exit from the movie, a la Julianne Moore in Children of Men<\/em><\/a>) and Janet Leigh in Psycho<\/em>. But she escapes with just an arm brace, with as little impact on the plot as on her body.<\/p>\n\n\n\n

\"Clive
Circumnavigating The Guggenheim<\/figcaption><\/figure>\n\n\n\n

The International<\/em>‘s best purpose is perhaps as porn for those with an architectural fetish. Much has been made of the production’s recreation of New York’s Guggenheim Museum interior on a European soundstage. But the extended firefight sequence is disappointing and clumsy. Michael Mann is often credited for being the master of such sequences, and for good reason. He utilizes his total command of space in Heat<\/em>‘s street shootout and Collateral<\/em>‘s nightclub battle. You never forget where all the characters are in relation to each other and the surrounding architecture. Likewise Paul Greengrass’ work in The Bourne Supremacy<\/em> and Ultimatum<\/em>. But The International<\/em>‘s grand shootout is a senseless jumble, and even the total number of assailants seems to wildly fluctuate. First there are two… no, four… no, eight! And the last two are right above you… no, wait, they’re loitering on the ground floor. A mess.<\/p>\n","protected":false},"excerpt":{"rendered":"

The International may seem a little conventional coming from Tom Tykwer, director of the kinetic classic Run Lola Run, the mystical The Princess & The Warrior, and the lunatic, perverse Perfume. The International is by far his most conventional in subject matter, and lacking his energy and spirit. It especially suffers in comparison to its […]<\/p>\n","protected":false},"author":1,"featured_media":4569,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[22,2],"tags":[542,185,543,540,541,45,44,539],"class_list":["post-1807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-stars","category-movies","tag-armin-mueller-stahl","tag-clive-owen","tag-conspiracy-theory","tag-eric-singer","tag-naomi-watts","tag-suspense","tag-thriller","tag-tom-tykwer"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-t9","jetpack-related-posts":[{"id":3990,"url":"https:\/\/chadossman.com\/blog\/cloud-atlas\/","url_meta":{"origin":1807,"position":0},"title":"The Three Hour Avalanche: Cloud Atlas","author":"Chad Ossman","date":"November 5, 2012","format":false,"excerpt":"???? Books are books, and movies are movies. I usually don't want or expect any adaptation to copy its source -- in fact, it's usually in everyone's best interests for a derivative work to strive to be its own thing, and not... well, derivative. But Tom Tykwer and the Wachowskis'\u2026","rel":"","context":"In "4 Stars"","block_context":{"text":"4 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/4-stars\/"},"img":{"alt_text":"Cloud Atlas","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/11\/cloud-atlas.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/11\/cloud-atlas.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/11\/cloud-atlas.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/11\/cloud-atlas.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/11\/cloud-atlas.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1830,"url":"https:\/\/chadossman.com\/blog\/state-of-play\/","url_meta":{"origin":1807,"position":1},"title":"Cool Britannia: David Yates’ BBC Miniseries State of Play","author":"Chad Ossman","date":"June 25, 2009","format":false,"excerpt":"The 2003 BBC miniseries State of Play is nothing less than six straight hours of intelligent drama, liberally spiced with suspense, action, and tasty plot twists. 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Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. 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It is quite so, however, considering writer\/director Michael Mann's track record once leaving the iconic 80s tv show behind. The deep characterization in all his crime dramas ranging from Thief through Collateral elevate\u2026","rel":"","context":"In "2 Stars"","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"Miami Vice","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":657,"url":"https:\/\/chadossman.com\/blog\/in-the-shadow-of-the-moon\/","url_meta":{"origin":1807,"position":5},"title":"The Apollo astronauts strut the right stuff in Ron Howard’s In the Shadow of the Moon","author":"Chad Ossman","date":"February 21, 2008","format":false,"excerpt":"In the Shadow of the Moon may not be the most radical or revelatory documentary ever made, but if the point was to get out of the way of some true American badasses and let them tell their story, then it should be counted as a success. The DVD edition\u2026","rel":"","context":"In "3 Stars"","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"In the Shadow of the Moon","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/in-the-shadow-of-the-moon-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/in-the-shadow-of-the-moon-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/in-the-shadow-of-the-moon-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/in-the-shadow-of-the-moon-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/in-the-shadow-of-the-moon-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=1807"}],"version-history":[{"count":3,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1807\/revisions"}],"predecessor-version":[{"id":6657,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/1807\/revisions\/6657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/4569"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=1807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=1807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=1807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}