{"id":1992,"date":"2010-03-06T18:03:35","date_gmt":"2010-03-06T23:03:35","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=1992"},"modified":"2022-10-23T12:11:12","modified_gmt":"2022-10-23T16:11:12","slug":"dennis-hoppers-colors","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/dennis-hoppers-colors\/","title":{"rendered":"A Problem With the Whole World: Dennis Hopper’s Colors"},"content":{"rendered":"\n

Dennis Hopper’s Colors<\/em> may be a buddy cop flick on the surface, but it’s hardly typical high-concept Hollywood material. It does have a token overarching plot (involving a mismatched pair of cops tracing the perpetrators of a drive-by shooting), but it’s merely a loose thread to hold the movie together. If neither a character study nor a plot-driven thriller, Colors<\/em> is a portrait of an issue, a setting, a problem.<\/p>\n\n\n\n

A prototype for the HBO series The Wire<\/em>, Colors<\/em> is actually a portrait of the deteriorated, hopeless situation in a failed American city lost to the drug trade. But unlike The Wire<\/em>, which deeply explores the economics of how and why gangs function as organizations, Colors<\/em> doesn’t offer much detail on how they operate and what they do. However sensitive and balanced Colors<\/em> may be, it still takes the point of view of predominantly white law enforcement. As such, it’s easy to see why we needed films like Menace II Society<\/em> and Boyz N the Hood<\/em>, which would look at some of the same issues from the other side of the milieu.<\/p>\n\n\n\n

\"Sean
Sean Penn in Colors: “You don’t wanna get laid, man. It leads to kissing and pretty soon you gotta talk to ’em.”<\/figcaption><\/figure>\n\n\n\n

The interesting title most obviously refers to the term for a nation’s flag (tying in with the themes of war and the institution that wage it) or the signature colors of three major warring L.A. gangs: the Bloods (red), Crips (blue), and a Latino gang (white). The real colors that divide these groups are, of course, race. The one sign of equality in late 80s L.A. is that nearly everyone calls each other Holmes.<\/p>\n\n\n\n

The narrative is loosely hung on several cliches, most notably the trope of veteran cop saddled with rookie partner. Officer Hodges (Duvall) is bitter at being drafted into the L.A.P.D. C.R.A.S.H. anti-gang program, after a lifetime of service that ought to have qualified him for sensible hours, a safe desk job, and more time with his family. Officer McGavin (Penn) is an aggressive, preening dandy, eager to attack the gang problem with the blunt tool of incarceration.<\/p>\n\n\n\n

\"Robert
Robert Duvall in Colors: “you got a problem with the whole fuckin’ world, and I’m in it.”<\/figcaption><\/figure>\n\n\n\n

But it’s not long after the movie sets up these cliches that it begins to knock them down. The ostensibly wizened Hodges makes a critical mistake, setting free a young gang member on the assumption that a brush with the law would scare him straight, while simultaneously intending it to be a lesson to the headstrong book ’em-type McGavin — but he turns out to have been a major player in the shooting. Another cliche short-circuited: McGavin romances a local girl from the barrio (Maria Conchita Alonso), but she turns out to be far from the madonna he imagined. Not only that, she rejects him anyway.<\/p>\n\n\n\n

Colors<\/em> ends on a very down beat, not just the death of a significant character, but what comes after. McGavin is forced into the position of imparting wisdom before he’s earned much himself. The film ends with a long shot held on his face (echoed much later in the final shot of Michael Clayton<\/em><\/a>) as he most likely ponders his ineffectiveness.<\/p>\n\n\n\n

Of note are early appearances by Don Cheadle and Damon Wayans, the latter featuring in a stand-out surreal sequence in which his character T-Bone is out of his mind on drugs. Herbie Hancock’s score has not dated well, nor has the vintage rap soundtrack, including the angry theme song by Ice-T. The opening credits are set to “One Time One Night” by the local L.A. band Los Lobos.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dennis Hopper’s Colors may be a buddy cop flick on the surface, but it’s hardly typical high-concept Hollywood material. It does have a token overarching plot (involving a mismatched pair of cops tracing the perpetrators of a drive-by shooting), but it’s merely a loose thread to hold the movie together. If neither a character study […]<\/p>\n","protected":false},"author":1,"featured_media":4495,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15,2],"tags":[811,808,274,809,46,813,812,805,806,423,810,316,807,547],"class_list":["post-1992","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3-stars","category-movies","tag-cops","tag-damon-wayans","tag-dennis-hopper","tag-don-cheadle","tag-drama","tag-drugs","tag-gangs","tag-herbie-hancock","tag-ice-t","tag-los-angeles","tag-maria-conchita-alonso","tag-police","tag-robert-duvall","tag-sean-penn"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-w8","jetpack-related-posts":[{"id":1682,"url":"https:\/\/chadossman.com\/blog\/pride-glory\/","url_meta":{"origin":1992,"position":0},"title":"There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory","author":"Chad Ossman","date":"March 22, 2009","format":false,"excerpt":"Pride and Glory was one of the last New Line Cinema productions made while still a semi-autonomous company, before being eviscerated by parent company Warner Bros. in 2008. 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It's a classic, almost cliched Hollywood scenario: Jack Walsh (Robert De Niro) is one of the world's last honest cops, rewarded for his integrity by divorce and demotion to the humiliating (and dangerous) level of bounty\u2026","rel":"","context":"In "3 Stars"","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/midnight-run-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/midnight-run-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/midnight-run-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/midnight-run-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/midnight-run-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":636,"url":"https:\/\/chadossman.com\/blog\/across-the-universe\/","url_meta":{"origin":1992,"position":4},"title":"Julie Taymor does The Beatles songbook in Across the Universe","author":"Chad Ossman","date":"February 7, 2008","format":false,"excerpt":"I believe I'm in the minority opinion here, but I really liked Across the Universe. 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