{"id":284,"date":"2006-06-17T20:00:20","date_gmt":"2006-06-18T03:00:20","guid":{"rendered":"https:\/\/chadossman.com\/blog\/2006\/06\/17\/from-here-to-eternity\/"},"modified":"2022-08-31T16:37:01","modified_gmt":"2022-08-31T20:37:01","slug":"from-here-to-eternity","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/from-here-to-eternity\/","title":{"rendered":"Burt Lancaster&#8217;s and Deborah Kerr&#8217;s beach clinch in From Here to Eternity"},"content":{"rendered":"\n<p>From Here to Eternity is famous for a lot of reasons: Burt Lancaster&#8217;s and Deborah Kerr&#8217;s hot clinch on the beach, the mere presence of Frank Sinatra, and, like a lot of canonical classics, its own fame.<\/p>\n\n\n\n<p>But, gradually, it dawns on you: what it&#8217;s really about is the utter inconsequence of our lives. Constantly overshadowing the many plot threads is the inevitable appearance of the Japanese overhead. And once they arrive, all the personal and professional troubles, the affairs and crimes, everything, becomes irrelevant.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From Here to Eternity is famous for a lot of reasons: Burt Lancaster&#8217;s and Deborah Kerr&#8217;s hot clinch on the beach, the mere presence of Frank Sinatra, and, like a lot of canonical classics, its own fame. But, gradually, it dawns on you: what it&#8217;s really about is the utter inconsequence of our lives. Constantly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5589,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16,2],"tags":[1306,1307,1308],"class_list":["post-284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4-stars","category-movies","tag-burt-lancaster","tag-deborah-kerr","tag-frank-sinatra"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/from-here-to-eternity.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-4A","jetpack-related-posts":[{"id":4284,"url":"https:\/\/chadossman.com\/blog\/a-dangerous-delusion-the-life-and-death-of-colonel-blimp\/","url_meta":{"origin":284,"position":0},"title":"A Dangerous Delusion: The Life and Death of Colonel Blimp","author":"Chad Ossman","date":"August 4, 2018","format":false,"excerpt":"Emeric Pressburger and Michael Powell's The Life and Death of Colonel Blimp (1943) is of course a remarkable achievement, a massive production with epic scope, a clever structure, and one of the best possible showcases for Technicolor. But I'm evidently so far out of step with the consensus on this\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"The Life and Death of Colonel Blimp","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2018\/08\/life-and-death-of-colonel-blimp-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2018\/08\/life-and-death-of-colonel-blimp-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2018\/08\/life-and-death-of-colonel-blimp-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2018\/08\/life-and-death-of-colonel-blimp-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2018\/08\/life-and-death-of-colonel-blimp-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1017,"url":"https:\/\/chadossman.com\/blog\/control\/","url_meta":{"origin":284,"position":1},"title":"Love Will Tear Us Apart: Anton Corbijn&#8217;s Control","author":"Chad Ossman","date":"August 29, 2008","format":false,"excerpt":"Control is one of the very few rare musical biopics to ever appeal to me, even though I am only passingly familiar with the music of Joy Division, and even less so of the history of its tragically doomed lead singer Ian Curtis. To testify to the film's power, I\u2026","rel":"","context":"In &quot;4 Stars&quot;","block_context":{"text":"4 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/4-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/08\/control-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/08\/control-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/08\/control-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/08\/control-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/08\/control-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1439,"url":"https:\/\/chadossman.com\/blog\/joy-division\/","url_meta":{"origin":284,"position":2},"title":"There&#8217;s Nothing Pretty: Grant Gee&#8217;s Joy Division","author":"Chad Ossman","date":"January 23, 2009","format":false,"excerpt":"Grant Gee's documentary Joy Division covers the all-too-brief history of the eponymous post-punk band from Manchester. Joy Division was tragically short-lived, only completing two albums before lead singer Ian Curtis' suicide in 1980, but disproportionately influential. Their sound is all over the early U2 albums Boy and October, and Interpol\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Joy Division","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/joy-division-kevin-cummins.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/joy-division-kevin-cummins.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/joy-division-kevin-cummins.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/joy-division-kevin-cummins.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/01\/joy-division-kevin-cummins.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1860,"url":"https:\/\/chadossman.com\/blog\/revolutionary-road\/","url_meta":{"origin":284,"position":3},"title":"Nothing to Say and No Way to Say It: Revolutionary Road","author":"Chad Ossman","date":"July 19, 2009","format":false,"excerpt":"The first few minutes of Sam Mendes' Revolutionary Road feature one of the boldest jump cuts this side of 2001: A Space Odyssey. Frank (Leonardo DiCaprio) and April (Kate Winslet) meet cute out of a crowd of Beatnik hipsters at a loft party. Like any flirting young couple, how each\u2026","rel":"","context":"In &quot;4 Stars&quot;","block_context":{"text":"4 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/4-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/07\/revolutionary-road-featured.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/07\/revolutionary-road-featured.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/07\/revolutionary-road-featured.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/07\/revolutionary-road-featured.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/07\/revolutionary-road-featured.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":665,"url":"https:\/\/chadossman.com\/blog\/you-kill-me\/","url_meta":{"origin":284,"position":4},"title":"T\u00e9a Leoni clings to the menacing Ben Kingsley in You Kill Me","author":"Chad Ossman","date":"February 25, 2008","format":false,"excerpt":"The first thing to say about You Kill Me is to give props to Ben Kingsley, if for no other reason than my fear that he will break my kneecaps if I don't. Even after his terrifying turn in Sexy Beast, it's still a surprise to see how perfectly natural\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"You Kill Me","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/you-kill-me-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/you-kill-me-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/you-kill-me-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/you-kill-me-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/you-kill-me-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":146,"url":"https:\/\/chadossman.com\/blog\/daily-dork-report-for-february-27-2006\/","url_meta":{"origin":284,"position":5},"title":"Daily Dork Report for February 27, 2006","author":"Chad Ossman","date":"February 27, 2006","format":false,"excerpt":"What will it be? What will it be? What will it be? What will it be? Perfect for the Dork Report: a veritable masterclass in committee-think & graphic design don'ts... and it has to do with iPods! Still more new territory for Google. I guess they're aiming for .Mac here.\u2026","rel":"","context":"In &quot;The Dork Report&quot;","block_context":{"text":"The Dork Report","link":"https:\/\/chadossman.com\/blog\/category\/dork-report\/"},"img":{"alt_text":"The Dork Report","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/08\/dork-report.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/08\/dork-report.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/08\/dork-report.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/08\/dork-report.png?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/08\/dork-report.png?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":5,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":5590,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/284\/revisions\/5590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/5589"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}