Utterly unlike a prototypically unimaginative remix in which rigid disco beats are bolted onto scraps of a song, this version has only the most tenuous of connections to its source material. It omits Bowness’ vocals entirely, in favor of a gently repeating keyboard arpeggio. The title alludes to composer Steve Reich’s brand of systems music, which reached its hypnotic apotheosis in Music for 18 Musicians. A generation of electronic musicians expanded upon Reich’s interlocking patterns, and Reich himself later completed the circle by experimenting with electronica and remixing on his 1999 album Reich Remixed.<\/p>\n\n\n\n
The stark ambient soundscape of “Days in the Trees (Reich)” provides an atmosphere for an astonishing soliloquy extracted from David Lynch’s seminal TV series Twin Peaks. Donna (Laura Flynn Boyle) is a teenager disillusioned by unsavory revelations regarding her best friend Laura’s drug abuse and sexual misadventures. Over the course of the series, she is exposed to even greater depths of corruption and depravity in her seemingly idyllic small American town.<\/p>\n\n\n\n While pursuing information on her own, Donna finds it necessary to ingratiate herself to a lonely male stranger. The mode of seduction she chooses is to recount the story of her first kiss. Her ploy quickly becomes a real confession, even an uncomfortably intimate flirtation. It’s an ostensibly happy memory, but her state of bliss over an event in the distant past is shot through with melancholy over a sublime moment long gone. Forced to confront the profound darkness festering in her community, this young woman prematurely mourns simpler times forever out of reach. Her tale portrays herself as a girl just beginning to sense that sexuality was a dangerous force her friend had already embraced but she couldn’t yet harness.<\/p>\n\n\n\n Boyle may not be one of the world’s most celebrated actors, but her performance in this scene is nothing less than stunning. Bowness and Wilson edited and condensed her monologue, but opted to leave in the sound effects of a cigarette lighter and her exhalation, effectively providing an audio v\u00e9rit\u00e9 percussion track. Here is a full transcript of the truncated version that appears in “Days in the Trees (Reich)”:<\/p>\n\n\n\n “This is from a long time ago, is that ok? I was about thirteen years old, fourteen maybe. We were going to the Roadhouse to meet boys. They’re about twenty years old. And they’re nice to us. And they make us feel like we’re older. Rick asks if we wanna go party and Laura says ‘yes’, and all of a sudden I feel this knot building up in my stomach. But when Laura gets in the truck with Rick, I go anyway. A stream in the woods, and when I think, it’s pale and light out. Laura starts to dance around the boys. She begins to move her hips back and forth. And we take off our clothes. I know the boys are watching. Laura starts to kiss Josh and Rick. I don’t know what to do, so I swim away. I feel like I want to run, but I don’t. He kisses my hand and then me. I can still feel that kiss. His lips are warm and sweet. My heart jumps. He’s talking but I can’t hear him. It was the first time I ever fell in love.”<\/p>Donna, Twin Peaks<\/cite><\/blockquote>\n\n\n\n The brief song drifts away on her last word.<\/p>\n\n\n\n![\"Laura](\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/twin-peaks-donna-1024x576.jpg\")