{"id":570,"date":"2007-01-04T19:03:59","date_gmt":"2007-01-05T02:03:59","guid":{"rendered":"https:\/\/chadossman.com\/blog\/2007\/01\/04\/banlieue-13-district-b13\/"},"modified":"2022-10-22T20:37:29","modified_gmt":"2022-10-23T00:37:29","slug":"banlieue-13-district-b13","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/banlieue-13-district-b13\/","title":{"rendered":"Banlieue 13 (District B13)"},"content":{"rendered":"\n<p>To the editors of Time Magazine that picked <a href=\"http:\/\/www.districtb13.com\/\">District B13<\/a> as one of the 10 best films of the year [update: link no longer online], I can only ask, dude, Que la baise vous pensaient-elles? Yes, granted, it touches on some extremely sensitive and timely issues in a racially and culturally divided Paris, but those moments are bolted-on and heavy-handed, serving as mere filler between admittedly awesome <a href=\"http:\/\/en.wikipedia.org\/wiki\/Parkour\">parkour<\/a> sequences. I had more fun at <em>The Transporter<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>To the editors of Time Magazine that picked District B13 as one of the 10 best films of the year [update: link no longer online], I can only ask, dude, Que la baise vous pensaient-elles? Yes, granted, it touches on some extremely sensitive and timely issues in a racially and culturally divided Paris, but those [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[22,2],"tags":[35,39,1126,1162],"class_list":["post-570","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2-stars","category-movies","tag-action","tag-france","tag-paris","tag-parkour"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2007\/01\/district-b13.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-9c","jetpack-related-posts":[{"id":3610,"url":"https:\/\/chadossman.com\/blog\/district-9\/","url_meta":{"origin":570,"position":0},"title":"Apart Hate: District Neill Blomkamp&#8217;s District 9","author":"Chad Ossman","date":"April 23, 2012","format":false,"excerpt":"Neill Blomkamp's District 9 is an old story told many times in fiction and history: an undesirable group intrudes upon the space and resources of privileged power possessors. This story never ends well. District 9's highly allegorical culture clash corresponds to great many groups that have suffered in throughout history,\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/04\/district-9.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/04\/district-9.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/04\/district-9.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/04\/district-9.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/04\/district-9.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1335,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-black-rain\/","url_meta":{"origin":570,"position":1},"title":"Michael Douglas vs. the yakuza in Ridley Scott&#8217;s Black Rain","author":"Chad Ossman","date":"November 26, 2008","format":false,"excerpt":"Ridley Scott's police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":661,"url":"https:\/\/chadossman.com\/blog\/2-days-in-paris\/","url_meta":{"origin":570,"position":2},"title":"Julie Delpy gives an unromantic tour of her city in 2 Days in Paris","author":"Chad Ossman","date":"February 22, 2008","format":false,"excerpt":"I suppose 2 Days in Paris can be seen as both inspired by and a refutation of Before Sunrise and Before Sunset, the pair of films Julie Delpy made with director Richard Linklater and co-star Ethan Hawke. Although more realistic than most romantic comedy\/dramas in terms of dialog and emotion,\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/2-days-in-paris-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/2-days-in-paris-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/2-days-in-paris-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/2-days-in-paris-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/02\/2-days-in-paris-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1891,"url":"https:\/\/chadossman.com\/blog\/casino-royale\/","url_meta":{"origin":570,"position":3},"title":"Sass and Kick Ass: James Bond: Casino Royale","author":"Chad Ossman","date":"October 2, 2009","format":false,"excerpt":"Paradoxically for one of the freshest James Bond films ever made, Martin Campbell's Casino Royale (2006) is actually the third adaptation of the character's debut in Ian Fleming's 1953 novel. After a largely forgotten 1954 TV movie in which \"Jimmy\" Bond was awkwardly Americanized, the same premise was parodied in\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/10\/casino-royale.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/10\/casino-royale.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/10\/casino-royale.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/10\/casino-royale.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/10\/casino-royale.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1807,"url":"https:\/\/chadossman.com\/blog\/international\/","url_meta":{"origin":570,"position":4},"title":"Circumnavigating The Guggenheim in Tom Twyker&#8217;s The International","author":"Chad Ossman","date":"June 16, 2009","format":false,"excerpt":"The International may seem a little conventional coming from Tom Tykwer, director of the kinetic classic Run Lola Run, the mystical The Princess & The Warrior, and the lunatic, perverse Perfume. The International is by far his most conventional in subject matter, and lacking his energy and spirit. It especially\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"The International","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/06\/the-international-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":271,"url":"https:\/\/chadossman.com\/blog\/le-fabuleux-destin-damelie-poulain\/","url_meta":{"origin":570,"position":5},"title":"Jean-Pierre Jeunet&#8217;s Le Fabuleux Destin d&#8217;Am\u00e9lie Poulain","author":"Chad Ossman","date":"June 6, 2006","format":false,"excerpt":"One of my favorite films of all time. It's just such a movie, you know? The same is true of virtually all of Jean-Pierre Jeunet's films; I have such fond memories of seeing Delicatessen on a crappy 16mm print at college, City of Lost Children at the Cambridge Film Festival,\u2026","rel":"","context":"In &quot;5 Stars&quot;","block_context":{"text":"5 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/5-stars\/"},"img":{"alt_text":"Amelie","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/amelie-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/amelie-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/amelie-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/amelie-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/06\/amelie-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=570"}],"version-history":[{"count":2,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/570\/revisions"}],"predecessor-version":[{"id":6740,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/570\/revisions\/6740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/5598"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}