{"id":716,"date":"2008-03-22T09:10:27","date_gmt":"2008-03-22T13:10:27","guid":{"rendered":"https:\/\/chadossman.com\/blog\/2008\/03\/22\/michael-clayton\/"},"modified":"2022-10-02T10:13:45","modified_gmt":"2022-10-02T14:13:45","slug":"michael-clayton","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/michael-clayton\/","title":{"rendered":"Michael Clayton confronts Shiva the God of Death"},"content":{"rendered":"\n<p><em>Michael Clayton<\/em> is a that rare thing: an intelligent, fictional thriller for grownups. Like any self-respecting Thriller for Grownups, it&#8217;s relentlessly grim in tone, the chronology is fractured, and a high level of detail demands your attention. It doesn&#8217;t approach impenetrability like <em>Syriana<\/em>, but it unfortunately doesn&#8217;t engage the brain as much as a good puzzler could. Everything is spelled out for the viewer in the end, except for a few niggling logistical questions. (Such as, why would two expert assassins opt for something so messily conspicuous as a car bomb?)<\/p>\n\n\n\n<p><em>Michael Clayton<\/em> has all the whiff of being based on a true story, but is in fact a wholly original work from writer\/director Tony Gilroy &#8211; his first film as director after a successful run of screenplays including the <em>Jason Bourne<\/em> trilogy. George Clooney carries the film with the complex, compromised title character, and Oscar winner Tilda Swinton sweats convincingly as a dying-inside corporate executioner. But in my mind the real star is Tom Wilkinson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Michael Clayton is a that rare thing: an intelligent, fictional thriller for grownups. Like any self-respecting Thriller for Grownups, it&#8217;s relentlessly grim in tone, the chronology is fractured, and a high level of detail demands your attention. It doesn&#8217;t approach impenetrability like Syriana, but it unfortunately doesn&#8217;t engage the brain as much as a good [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4916,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16,2],"tags":[84,141,252,1282],"class_list":["post-716","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4-stars","category-movies","tag-george-clooney","tag-tilda-swinton","tag-tom-wilkinson","tag-tony-gilroy"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/03\/michael-clayton-feature.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-by","jetpack-related-posts":[{"id":1335,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-black-rain\/","url_meta":{"origin":716,"position":0},"title":"Michael Douglas vs. the yakuza in Ridley Scott&#8217;s Black Rain","author":"Chad Ossman","date":"November 26, 2008","format":false,"excerpt":"Ridley Scott's police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/black-rain-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1992,"url":"https:\/\/chadossman.com\/blog\/dennis-hoppers-colors\/","url_meta":{"origin":716,"position":1},"title":"A Problem With the Whole World: Dennis Hopper&#8217;s Colors","author":"Chad Ossman","date":"March 6, 2010","format":false,"excerpt":"Dennis Hopper's Colors may be a buddy cop flick on the surface, but it's hardly typical high-concept Hollywood material. It does have a token overarching plot (involving a mismatched pair of cops tracing the perpetrators of a drive-by shooting), but it's merely a loose thread to hold the movie together.\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Colors","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2010\/03\/colors-1.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":743,"url":"https:\/\/chadossman.com\/blog\/se-jie-lust-caution\/","url_meta":{"origin":716,"position":2},"title":"Ang Lee&#8217;s very un-titillating erotic thriller Se, jie (Lust, Caution)","author":"Chad Ossman","date":"April 5, 2008","format":false,"excerpt":"As a public service, this blog would like to issue a warning to anyone that under the impression that Se, jie (Lust, Caution) is an NC-17 erotic thriller. Judging from the marketing campaign alone, one might understandably imagine that the latest film from the director of Sense & Sensibility and\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Lust, Caution","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":365,"url":"https:\/\/chadossman.com\/blog\/miami-vice-2006\/","url_meta":{"origin":716,"position":3},"title":"Michael Mann&#8217;s Miami Vice movie is stylish but slight","author":"Chad Ossman","date":"July 30, 2006","format":false,"excerpt":"Miami Vice is decidedly slight on character and depth, which is not surprising considering the source material. It is quite so, however, considering writer\/director Michael Mann's track record once leaving the iconic 80s tv show behind. The deep characterization in all his crime dramas ranging from Thief through Collateral elevate\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"Miami Vice","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2006\/07\/miami-vice-movie-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1330,"url":"https:\/\/chadossman.com\/blog\/ridley-scott-someone-to-watch-over-me\/","url_meta":{"origin":716,"position":4},"title":"Material Witness: Ridley Scott&#8217;s Someone to Watch Over Me","author":"Chad Ossman","date":"November 20, 2008","format":false,"excerpt":"Ridley Scott's Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/11\/someone-to-watch-over-me-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":5270,"url":"https:\/\/chadossman.com\/blog\/coma-1978-movie-review\/","url_meta":{"origin":716,"position":5},"title":"Genevi\u00e8ve Bujold fights the medical patriarchy in Michael Crichton&#8217;s Coma","author":"Chad Ossman","date":"February 2, 2019","format":false,"excerpt":"A thriller set among medical professionals, with just enough scientific accuracy to temper its science fiction, and a craven corporation perverting science for profit? If only Michael Crichton's Coma had been set in an amusement park, it would have been the most Michael Crichton movie ever. More than just a\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Genevi\u00c3\u00a8ve Bujold in Coma","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2019\/02\/coma.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2019\/02\/coma.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2019\/02\/coma.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2019\/02\/coma.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2019\/02\/coma.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=716"}],"version-history":[{"count":3,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/716\/revisions"}],"predecessor-version":[{"id":6115,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/716\/revisions\/6115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/4916"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}