{"id":792,"date":"2008-05-06T21:48:47","date_gmt":"2008-05-07T01:48:47","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=792"},"modified":"2022-10-10T10:57:22","modified_gmt":"2022-10-10T14:57:22","slug":"the-musical-box-highline-ballroom-new-york","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/the-musical-box-highline-ballroom-new-york\/","title":{"rendered":"The Musical Box recreates Genesis’ Black Show at Highline Ballroom, New York"},"content":{"rendered":"\n
The Musical Box is a Canadian group that stages elaborate recreations of entire concerts given by the English progressive rock band Genesis in the early 1970s. They perform closely-observed note-for-note cover versions of the original songs, in the original set list order, with full recreations of the set design, props, costumes, vintage instruments, and even the mannerisms of the original Genesis. So while it is technically true that they are essentially a cover band, how many of those tour the world several times over and land gigs at significant venues like The Highline Ballroom? It speaks to both the integrity of the original Genesis music and to The Musical Box’s own skills that they are not a mere tribute band gigging through bars and frat houses.<\/p>\n\n\n\n
At the Highline Ballroom, The Musical Box performed Genesis’ famed “Black Show,” originally in support of the 1973 album Selling England By the Pound<\/em>, and widely bootlegged as the “Rainbow Show”. Genesis’ typical “White Show” was more elaborately staged, but due to venue requirements and the troubles of shipping their gear internationally, they would sometimes play the stripped-down Black Show, so known for its low stage lighting and simple black backdrop. The Musical Box’s performance had amazing sound fidelity, and was one of the best-sounding live concerts I’ve ever heard. No doubt the actual Genesis (many of whom have seen The Musical Box live and have even sat in with them on occasion) wish they had such modern audio technology at their disposal in the early 1970s.<\/p>\n\n\n\n<\/figure>\n\n\n\n
The members of The Musical Box are as much actors as they are crack musicians. Fittingly, Peter Gabriel himself was mostly acting onstage; the famously shy young man masked his discomfort with an outlandish stage persona full of costumes, masks, and mime. Denis Gagn\u00e9 is older than the stringbean-thin Gabriel at the time, but does an extraordinary job of capturing his vocals and stage presence, right down to the hilariously filthy stories Gabriel would tell between songs to entertain the audience as the rest of the band retuned their instruments.<\/p>\n\n\n\n
The only performer not in ’70s bell-bottom costume was Gregg Bendian as “Phil Collins.” He was, however, paradoxically one of the most authentic performers, recreating Collins’ unmistakably muscular and enthusiastic drumming. After becoming famous as a television actor and cheesy pop superstar in the ’80s, and Disney balladeer in the ’90s, it’s easy to forget that Collins is first and foremost one of rock’s best drummers.<\/p>\n\n\n\n<\/figure>\n\n\n\n
The rest of Genesis was very serious and reserved, and relied on Gabriel to engage the audience as they played. Fran\u00e7ois Gagnon enlivens the bearded, serious Steve Hackett’s guitar embellishments (not one of Genesis’ core songwriters, Hackett was however a brilliant guitarist and one of the inventors of the two-handed tapping technique). S\u00e9bastien Lamothe straps on a genuine double-necked Rickenbocker to play Mike Rutherford, with the dedication to verisimilitude to grow a full beard and flowing locks. David Myers plays Tony Banks, the stoic and unsmiling anchor on stage right, but sadly relies on modern synthesizers (nothing compares to the raw sound of an actual Mellotron<\/a>).<\/p>\n\n\n\n
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