{"id":893,"date":"2008-06-22T21:17:15","date_gmt":"2008-06-23T01:17:15","guid":{"rendered":"https:\/\/chadossman.com\/blog\/?p=893"},"modified":"2022-10-26T11:00:51","modified_gmt":"2022-10-26T15:00:51","slug":"woman-of-the-year","status":"publish","type":"post","link":"https:\/\/chadossman.com\/blog\/woman-of-the-year\/","title":{"rendered":"Hepburn and Tracy&#8217;s battle of the sexes in George Stevens&#8217; Woman of the Year"},"content":{"rendered":"\n<p>George Stevens&#8217; <em>Woman of the Year<\/em> is one of the most famous Spencer Tracy and Katherine Hepburn double-acts, but there&#8217;s no question who was the real star.<\/p>\n\n\n\n<p>Discounting a brief glimpse of her character&#8217;s newspaper byline, there is much talk of star reporter Tess Harding (Hepburn) before her delayed reveal. In a scene that would make Laura Mulvey&#8217;s head spin, the first time we finally spy Hepburn, the camera travels up her leg as she adjusts her stocking in her editor&#8217;s office. Was she flirting with her editor? Is any practical explanation necessary to justify a 1940s starlet showing a little leg? It&#8217;s hard to imagine Hepburn as a sexpot. He intellect and sass are undoubtedly sexy, but not in a way I would imagine would appeal to a 1942 everyman. Her face and figure are made up entirely out of angles, drawn by protractor and calculated by slide rule.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy-1024x576.jpg\" alt=\"Spencer Tracy and Katherine Hepburn in Woman of the Year\" class=\"wp-image-6304\" srcset=\"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy-1024x576.jpg 1024w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy-300x169.jpg 300w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy-768x432.jpg 768w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy-1200x675.jpg 1200w, https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2022\/10\/woman-of-the-year-hepburn-tracy.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>&#8220;No one will ever believe we were married sober.&#8221;<\/figcaption><\/figure>\n\n\n\n<p>Even decades later, the rumor persists that one of or both Tracy &amp; Hepburn were gay, and their marriage served as each other&#8217;s beards. I don&#8217;t bring this up to perpetuate the gossip, but rather to segue into the primary theme of <em>Woman of the Year<\/em>: a battle of the sexes, or at least, their perceived gender roles. In the tradition of Hollywood&#8217;s best bedroom farces, two opposites attract into a marriage, and it&#8217;s not long before the barbs are flying &#8212; some of which really sting.<\/p>\n\n\n\n<p>Sam Craig (Tracy) is a true man&#8217;s man, who covers sports for the paper and hangs out in the pub. But the question of the movie is, how much of a woman is Tess? She is witty, urbane, educated, and globetrotting. But she is deserving of blame for impulsively adopting a war orphan without being conscious of the responsibilities. But the movie seems to equate this serious fault with her inability to make pancakes. And I don&#8217;t think it&#8217;s merely a fact of the 1942 gender politics or this blogger&#8217;s modern sensibilities, for the end of the film is genuinely confusing, sending mixed signals about what exactly Sam wants of Tess: does he really want her to relinquish her independence and be his breakfast chef, and does she really want to acquiesce?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>George Stevens&#8217; Woman of the Year is one of the most famous Spencer Tracy and Katherine Hepburn double-acts, but there&#8217;s no question who was the real star. Discounting a brief glimpse of her character&#8217;s newspaper byline, there is much talk of star reporter Tess Harding (Hepburn) before her delayed reveal. In a scene that would [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4818,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15,2],"tags":[1086,1088,1087],"class_list":["post-893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-3-stars","category-movies","tag-george-stevens","tag-katherine-hepburn","tag-spencer-tracy"],"jetpack_featured_media_url":"https:\/\/chadossman.com\/blog\/wp-content\/uploads\/2008\/06\/woman-of-the-year-feature.jpg","jetpack_shortlink":"https:\/\/wp.me\/pa9lhB-ep","jetpack-related-posts":[{"id":1222,"url":"https:\/\/chadossman.com\/blog\/burn-after-reading\/","url_meta":{"origin":893,"position":0},"title":"The Coen Brothers confound expectations, as usual, with Burn After Reading","author":"Chad Ossman","date":"October 12, 2008","format":false,"excerpt":"Although every Coen Brothers film is unmistakably theirs alone (can the Auteur Theory apply to more than one person at once?), Joel and Ethan have a reputation for rarely making the films audiences want or expect from them at any given time. Clooney and McDormand give this movie two thumbs\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/burn-after-reading-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/burn-after-reading-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/burn-after-reading-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/burn-after-reading-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/burn-after-reading-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":743,"url":"https:\/\/chadossman.com\/blog\/se-jie-lust-caution\/","url_meta":{"origin":893,"position":1},"title":"Ang Lee&#8217;s very un-titillating erotic thriller Se, jie (Lust, Caution)","author":"Chad Ossman","date":"April 5, 2008","format":false,"excerpt":"As a public service, this blog would like to issue a warning to anyone that under the impression that Se, jie (Lust, Caution) is an NC-17 erotic thriller. Judging from the marketing campaign alone, one might understandably imagine that the latest film from the director of Sense & Sensibility and\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Lust, Caution","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/04\/lust-caution-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1699,"url":"https:\/\/chadossman.com\/blog\/reader\/","url_meta":{"origin":893,"position":2},"title":"Kate Winslett  evokes emotional illiteracy in Stephen Daldry&#8217;s The Reader","author":"Chad Ossman","date":"March 31, 2009","format":false,"excerpt":"Director Stephen Daldry (The Hours, Billy Elliot), producers Anthony Minghella and Sydney Pollack, and screenwriter David Hare's adaptation of Bernhard Schlink's novel The Reader examines evolving notions of German postwar guilt and culpability. Unfolding across three distinct time periods (1958, 1966, and 1995), The Reader hinges on a significant reveal\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"The Reader","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/03\/reader-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/03\/reader-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/03\/reader-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/03\/reader-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2009\/03\/reader-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":2635,"url":"https:\/\/chadossman.com\/blog\/visualizing-the-invisible-bright-star\/","url_meta":{"origin":893,"position":3},"title":"Jane Campion Visualizes the Invisible, in Bright Star","author":"Chad Ossman","date":"December 4, 2011","format":false,"excerpt":"As an English Major in another life, I'm not uninterested in poetry, or Keats in particular. But movies about poetry are another matter. It's difficult to imagine a less natural source material for the eminently visual medium of cinema than poetry. You can mute the sound, drain the color, or\u2026","rel":"","context":"In &quot;3 Stars&quot;","block_context":{"text":"3 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/3-stars\/"},"img":{"alt_text":"Bright Star","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2011\/12\/bright-star.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2011\/12\/bright-star.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2011\/12\/bright-star.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2011\/12\/bright-star.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2011\/12\/bright-star.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":1253,"url":"https:\/\/chadossman.com\/blog\/recount-dvd-review\/","url_meta":{"origin":893,"position":4},"title":"The plural of chad is chad in HBO&#8217;s Recount","author":"Chad Ossman","date":"October 23, 2008","format":false,"excerpt":"The 2008 HBO television movie Recount dramatizes the traumatic few weeks at the close of the 2000 Presidential election. That hectic time brings back three distinct feelings for this blogger: bewilderment at the founding fathers' purpose for the Electoral College (as everyone no doubt remembers, it was never in doubt\u2026","rel":"","context":"In &quot;2 Stars&quot;","block_context":{"text":"2 Stars","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/2-stars\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/recount-feature.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/recount-feature.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/recount-feature.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/recount-feature.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2008\/10\/recount-feature.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":3505,"url":"https:\/\/chadossman.com\/blog\/romero-crazies\/","url_meta":{"origin":893,"position":5},"title":"People Are Vectors: George A. Romero&#8217;s The Crazies","author":"Chad Ossman","date":"February 26, 2012","format":false,"excerpt":"George A. Romero practically invented the lucrative zombie subgenre with Night of the Living Dead in 1968, simultaneously trapping himself within it for most of his subsequent career. Romero's zombies served him well enough for six films and counting, at least two of which transcended the genre and are still\u2026","rel":"","context":"In &quot;1 Star&quot;","block_context":{"text":"1 Star","link":"https:\/\/chadossman.com\/blog\/category\/ratings\/1-star\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/02\/crazies.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/02\/crazies.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/02\/crazies.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/02\/crazies.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/chadossman.com\/blog\/wp-content\/uploads\/2012\/02\/crazies.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/comments?post=893"}],"version-history":[{"count":3,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/893\/revisions"}],"predecessor-version":[{"id":7644,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/posts\/893\/revisions\/7644"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media\/4818"}],"wp:attachment":[{"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/media?parent=893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/categories?post=893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chadossman.com\/blog\/wp-json\/wp\/v2\/tags?post=893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}