Category: 4 Stars

Good Stuff

  • Peter Bogdanovich’s Mask (Director’s Cut)

    Peter Bogdanovich’s Mask (Director’s Cut)

    I vaguely recall seeing Mask when I was a kid, but only recently learned A) it was directed by Peter Bogdanovich and B) there’s a well-regarded director’s cut available on DVD.

    The film is very unconventional for the genre of disabled-person-beating-the-odds. Roy, doomed to die from Craniodiaphyseal dysplasia, loses his friend, his girl, and dies in his sleep never fulfilling his dream of traveling Europe. And yet, it is nevertheless moving and even uplifting. I think one reason is the sympathetic matter-of-fact presentation of a biker gang, a group often maligned or at least treated condescendingly by Hollywood.

  • Lizzie and Darcy deserve each other, in Pride & Prejudice

    Lizzie and Darcy deserve each other, in Pride & Prejudice

    Pride & Prejudice: The timeless love story between Miss Elizabeth Bewitching-yet-Blind Bennet and Mr. Darcy, Earl of Wetblanket-Upon-Broadchestshire. In the most romantic way possible, they truly deserve each other.

  • Thank You for Smoking

    Thank You for Smoking

    A wicked contemporary satire, and a distant cousin to Lord of War, if a little less urgent. The level of public anxiety over Big Tobacco isn’t terribly high at the moment, but the larger theme of corporate and governmental spin is a timely one.

    Also like Lord of War, it kicks off with insane energy: one of the best opening title sequences I’ve ever seen, followed by flurry of pop-up infographics, freeze-frames, and ironic subtitles. Too bad that after the first half hour or so, it settles down into fairly straightforward family melodrama.

  • The 40 Year Old Virgin

    The 40 Year Old Virgin

    Like Something About Mary and American Pie, sometimes the most well-observed character-based comedies come in disguise as crass gross-outs. They also have a tendency towards saccharine sweetness, but there are worse crimes.

  • Lord of War is a Nicolas Cage treasure hidden in plain sight

    Lord of War is a Nicolas Cage treasure hidden in plain sight

    I initially dismissed Lord of War when the trailers and posters first appeared. In other words, it got caught in the crude mental filters that routinely handle my first-pass “ignore” of all the crap that flows through my eyes and ears all day every day. But when my regular email newsletter from Amnesty International endorsed the film, it seemed possible this was something more substantial than National Treasure.

    And it is. In an impressive marketing slight-of-hand, Lions Gate marketed it as an action comedy. But like Syriana, Lord of War is actually a very strongly-felt topical film loosely based on actual events. It has a more human and darkly comedic tone than Syriana, which often felt like a very consciously-constructed intellectual puzzle. But on the other hand, Syriana‘s strict focus is perhaps a virtue; Lord of War‘s several dramatic plotlines involving the main character’s marriage and wayward brother don’t always sit very well against the larger themes of entrenched human violence.

    For another Nicolas Cage treasure hidden in plain sight, I recommend Ridley Scott‘s Matchstick Men.

  • Manhattan

    Manhattan

    Amazingly, upon a second viewing I didn’t care for Woody Allen’s Manhattan nearly as much as I remembered. Perhaps its status in the canon has retroactively enhanced my opinion. But it still inspires as a big, fat, sloppy kiss to my city, and a poster of Woody & Diane beneath the Brooklyn Bridge hangs on my wall.

  • Nine Songs

    Nine Songs

    Michael Winterbottom’s Nine Songs is explicit in more ways than one. Surprisingly, the theme is pretty much spelled out in voiceover in the first sequence: A man reflects on a past relationship in terms of concerts they went to together and the arc of their sexual life. I can only speak for myself, but those are exactly the kinds of mental landmarks that mark my past relationships.

  • Mirrormask

    Mirrormask

    Mirrormask is an utterly gorgeous collaboration between Dave McKean and Neil Gaiman, who are so good together that I admit to a little disappointment on the occasions when they work apart.

    I especially recommend reading the screenplay; one of the few scripts I’ve ever read that stands on its own.