Tag: Neil Gaiman

  • Douglas Adams: What a Wonderful World

    Douglas Adams: What a Wonderful World

    Despite being the ostensible protagonist of The Hitchhiker’s Guide to the Galaxy, Arthur Dent is remarkably out of control of his destiny. Throughout, he survives various calamities equipped only with only a Babel fish, towel, and implausible happenstance. But most of its cast of characters are equally adrift in a senseless universe: Zaphod Beeblebrox is […]

  • The Hitchhiker’s Guide to the Galaxy: Influence & Legacy

    The Hitchhiker’s Guide to the Galaxy: Influence & Legacy

    Douglas Adams’ Hitchhiker’s Guide to the Galaxy has been adapted and extended into virtually every media yet conceived by humankind — if more advanced species elsewhere in the galaxy are able to plug the story directly into their brains, they haven’t yet shared the technology with us earthlings. Back on Earth, Adams personally wrote the […]

  • The Hitchhiker’s Guide to the Galaxy: From Radio to TV

    The Hitchhiker’s Guide to the Galaxy: From Radio to TV

    British viewers may not blink twice, but it is always interesting for this Yank to note the privileged billing given to screenwriters in BBC programs. The opening credits for the 1981 serial The Hitchhiker’s Guide to the Galaxy prominently hail “By DOUGLAS ADAMS” directly below its dramatically rocky logo, overshadowing the cast, directors, and producers. […]

  • The Only Child: Neil Gaiman and Henry Selick’s Coraline

    The Only Child: Neil Gaiman and Henry Selick’s Coraline

    I saw Henry Selick and Neil Gaiman’s Coraline on its opening day in my favorite movie theater, the best possible venue to see any remotely visually ambitious movie: the Clearview Ziegfeld in New York City. Fittingly, my tickets were misprinted “Caroline,” a misnomer that is a recurring plot point. Coraline was written and directed by […]

  • Mirrormask

    Mirrormask

    Mirrormask is an utterly gorgeous collaboration between Dave McKean and Neil Gaiman, who are so good together that I admit to a little disappointment on the occasions when they work apart. I especially recommend reading the screenplay; one of the few scripts I’ve ever read that stands on its own.