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Darren Aronofsky’s “mother!” earns its exclamation point

Darren Aronofsky’s mother! is an allegory so undisguised that it barely qualifies as one. It’s more like a cinematic smoothie: blend one (1) King James Bible, the Big Bang / Big Crunch Wikipedia article, a heavy splash of Lars Von Trier-esque literal-as-metaphorical torture of a beautiful woman, season to taste with climate change science, and […]

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Jennifer Lawrence in mother!

Darren Aronofsky’s mother! is an allegory so undisguised that it barely qualifies as one. It’s more like a cinematic smoothie: blend one (1) King James Bible, the Big Bang / Big Crunch Wikipedia article, a heavy splash of Lars Von Trier-esque literal-as-metaphorical torture of a beautiful woman, season to taste with climate change science, and suffer through it.

A male filmmaker portraying a male artist as god, simultaneously elevating and exploiting the woman that supports him is, in a word, problematic. When I couldn’t willfully look past those misogynistic aspects, it brought to mind the risible Lady in the Water. At least the circumstances aren’t so grim that there’s room for a little comedy, as in portraying Adam and Eve (Ed Harris and Michelle Pfeiffer) as the worst houseguests ever.

But… but… but. Wow. Just, wow. I fully respect and understand many of the negative reviews, but I have to admit I found its punk rock spirit flat-out astonishing. What audacity to make something so deliberately confrontational, rude even. I quite literally watched most of the film with my jaw hanging open.

If nothing else, you can’t deny mother! earned its exclamation point.

Stray Observations:

  • I’ve previously been ambivalent about Jennifer Lawrence as an actor, but she is superb here.
  • Anyone else catch a whiff of Lindsay Anderson’s If…, another over-the-top allegorical phantasmagoria? But admittedly I am probably by distracted by the punctation.

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