Star Wars: The Rise of Skywalker smothers all hope and wonder

My brilliant wife had the following absolutely perfect appraisal of the first two entries in the new Star Wars trilogy, which I will paraphrase here: “Most of the criticism of The Force Awakens was absolutely correct, but I loved it anyway. Most of the criticism of The Last Jedi was absolutely wrong, but I loved […]

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December 21, 2019

Chad Ossman

John Boyega, Daisy Ridley, and Oscar Isaac in Star Wars: The Rise of Skywalker

My brilliant wife had the following absolutely perfect appraisal of the first two entries in the new Star Wars trilogy, which I will paraphrase here:

“Most of the criticism of The Force Awakens was absolutely correct, but I loved it anyway. Most of the criticism of The Last Jedi was absolutely wrong, but I loved it anyway.”

In other words: yes, we acknowledge the consensus that J.J. Abrams’ The Force Awakens was a stealth remake of A New Hope, somewhat lacking in imagination, but wow was it thrilling.

Then Rian Johnson’s The Last Jedi faced an even fiercer backlash: mostly directed at its female characters, its rejection of Star Wars‘ royal lineage nonsense, and for directly addressing the military industrial complex issue that all previous films had ignored. These criticisms infuriated us; for these aspects were exactly what made The Last Jedi one of, if not the best of the entire series. (sorry, Empire, I will always love you too)

John Bodega and Kelly Marie Tran in Star Wars: The Rise of Skywalker — Perhaps the worst of The Rise of Skywalker’s many failings is relegating two of its best new characters (John Boyega as Finn and Kelly Marie Tran as Rose) to the sidelines.

But after seeing The Rise of Skywalker, this formulation is disrupted. With J.J. Abrams back in the director’s chair, the concluding chapter retreats from the progress made in the second film, and seems to have pulled off the impossible: disappointing everybody. If it’s not the worst Star Wars movie, it’s certainly the most disappointing. Instead of rating it out of five stars, I want to rate it with a countless number of exasperated sighs.

Ian McDiarmid in Star Wars: The Rise of Skywalker — Hands up, who hoped Star Wars would rewind all the way back to The Return of the Jedi? Anyone?

Even more than the unwanted spinoff product Rogue One and Solo, The Rise of Skywalker seems to have been designed by spreadsheet in an antiseptic Disney boardroom, in a misguided attempt to appease a toxic fandom riven by the divisive The Last Jedi. Star Wars is not my personal sentimental favorite story (that would be Doctor Who), but my generation grew up with it and I can’t help but have an emotional attachment. I could enumerate The Rise of Skywalker‘s various plot deficiencies here, but it’s the smothering of wonder and spirit that really hurts.

My thoughts here are a kind of spoiler — not for revealing plot details, but for sending out bad vibes. Hopefully there are some viewers (especially kids) that don’t read complaints like this and get some joy from the movie. Here’s hoping that with time, The Last Jedi is retrospectively recognized as the height of the entire franchise.