Tag: Colin Farrell

  • Which Way Is Up: Michael Mann’s Miami Vice

    Which Way Is Up: Michael Mann’s Miami Vice

    The simple truth is that I hated Michael Mann’s Miami Vice on first viewing. On a technical level, it was marred by hideously poor sound — for which I blamed the particular theater I happened to see it in, but a friend of mine had the same complaint about a totally different venue, suggesting something…

  • Terry Gilliam’s The Imaginarium of Doctor Parnassus

    Terry Gilliam’s The Imaginarium of Doctor Parnassus

    Terry Gilliam is burdened with a number of unfair reputations. First, as a visual stylist more than a storyteller or director of actors — the latter, at least, obviously refuted by the fact that many high-profile stars will repeatedly work with him for pennies. Second, he’s also thought of as an unpredictable hellion and spendthrift,…

  • There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory

    There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory

    Pride and Glory was one of the last New Line Cinema productions made while still a semi-autonomous company, before being eviscerated by parent company Warner Bros. in 2008. For the morbidly curious, Vanity Fair recently related the sad tale in its latest Hollywood issue. Disclaimer: I worked for New Line Cinema through its end times,…

  • Michael Mann’s Miami Vice movie is stylish but slight

    Michael Mann’s Miami Vice movie is stylish but slight

    Miami Vice is decidedly slight on character and depth, which is not surprising considering the source material. It is quite so, however, considering writer/director Michael Mann’s track record once leaving the iconic 80s tv show behind. The deep characterization in all his crime dramas ranging from Thief through Collateral elevate them above the ultrastylized and…

  • By Zeus’ beard, Oliver Stone’s Alexander is bad

    By Zeus’ beard, Oliver Stone’s Alexander is bad

    Ugh. I should have listened to the myriad critics and friends who warned me off Oliver Stone’s Alexander… it is indeed quite bad. Everything you’ve heard is true: impossibly long, unintelligibly edited (can anyone explain to me Alexander’s supposedly brilliant scheme in the first battle? Running away and coming back will allow greater access to…