Even if the marketing hadn’t trumpeted the dramatic return of burnt-out Hollywood high-concept screenwriter Shane Black, it’d be painfully obvious Kiss Kiss Bang Bang is a movie crafted specifically for the audience he practically created with his Lethal Weapon quadrilogy.
The all-over-the-place plot leaves a few threads dangling (What happened to the whole Michelle Monaghan femme fatale setup? Was it too obvious to be anything other than a red herring?), but that’s not really what matters; the movie is exactly what what Hollywood execs and critics alike mean when they use the belabored cliche “a ride that you either get on or you don’t.”
Ugh. I should have listened to the myriad critics and friends who warned me off Oliver Stone’s Alexander… it is indeed quite bad. Everything you’ve heard is true: impossibly long, unintelligibly edited (can anyone explain to me Alexander’s supposedly brilliant scheme in the first battle? Running away and coming back will allow greater access to strike the enemy king exactly how?), and schizophrenic with regards to its sexual politics. So Alexander was bisexual, fine. But in this day and age, doing anything to avoid showing an onscreen kiss just calls attention to itself. Two pretty men gazing at each other and saying things like “By Zeus’ beard, you are indeed a great man” is just comical.
And most amusingly: if accents are to be judged, Angelina Jolie‘s character hails from Transylvania, and Alexander and his father came to Greece by way of down the pub. In fact, the kid who plays the young Alexander sounds more Irish than Colin Farrell himself.
I rented the director’s cut, which bucks the trend in actually being shorter than the theatrical version (the only other director I know of to do this is Stanley Kubrick, who would often continue to abridge films even during release). At 3 hours, 55 minutes, I am quite glad I didn’t decide to go with the theatrical version.
What was good about it? Jolie is always a pleasure to watch – an old-school movie star in the sense that her presence and beauty are so overpowering that she might as well be from another planet. I’ve always thought Val Kilmer was a fine actor (especially in the underrated Spartan). And in a suprisingly plain-looking movie for Oliver Stone, it’s a great relief when he finally cuts loose in the surreal, literally blood-soaked sequence of Alexander’s near-fatal wounding in India.